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"Admittedly, art
making probably does require something special, but just what that something might be has remained remarkably elusive - elusive enough to
suggest that it may be something particular to each artist, rather than
universal to them all."
- David
Bayles & Ted Orland (excerpt from Art & Fear) |
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The it of art |
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This
philosophy/opinion is a combination of many theories that I have come
across through the years.
Anyone interested in books and names
should feel free to contact me, and I will provide the titles.
I have had many people tell me that they don't really have art in their
lives. They don't go to galleries, so they don't see art, and they
wouldn't know how to appreciate it anyway. I'm an artist, and
even I can't find a whole lot of time to go to galleries to see it. They don't have any
paintings in their homes, so they never see it. Who
knows where it is, maybe I'm
missing it. If I missed it, how would I know? They go on to say that
they are studying (or wish they could study) art in order to be educated
about it- because they don't get it.
They
all want to know what the deal is with the orange NYC Central Park
curtains, or the guy who shot himself, or the crucifix in the jar of
urine. It makes them angry. In other words: I don't know much
about art, but I know what I like. Most of the time, many people do
not realize how much art is around them each day, so I thought I'd look
around my surroundings to see what I found. But first...
What is it ? I have heard that everything can be art.
If that is the case, then what isn't art? It seems as
if anyone can be an artist, no matter what they do- or what they produce. What makes it art? I can only give my opinion on it.
The difference between a work of art, and a hobby or craft is the connection
of artist and viewer, and a standard. A viewer must have some base knowledge
(or standard) to work
with (the previously mentioned adage of: I don't know much about art,
but I know what I like...is just plain lazy). Would you go
out and buy a car without doing any research? What about buying the
first car you see? Are they all good simply because they are called
"cars"? Once you have sought out a base understanding of art
principles (what the universal & general rules are for appreciation), then
you have to go out and look at art, a lot of art. What strikes you
as "art"? What do they have in common?
Every profession has a way of judging quality,
and art is not an exception. Here are 3 good measurements once you
have a base understanding (From author Ted Orland).
#1: Art should
glorify a life-based or spiritual belief.
#2: Art should
educate/enlighten our neighbors.
#3: Art must continue to
expand our technical and cognitive abilities.
It has been argued for many
years that art should not have to be held to the standards of the
"Masters" (as in realism from the past-usually the 1600's
through the 1800's), and I agree. But art has lost its way.
The connection to a viewer no longer is vital in modern art. That
changed with the phrase "Art for art's sake." Coined by the artist James
Whistler in the early 20th century. This ushered in "modern art". The Modernist movement in art created a new way of
thinking, but soon after- art didn't seem to think anymore. Increasingly, artists gravitated towards controversy,
choosing shock over substance
and depth that reached large groups. As the saying goes: the
boundary pushers were just preaching to the choir. But, art
continued on (as it always will because individual self-expression is
vital to our survival). But in reality it is that
connection of artist and viewer that gives art its power in society.
Art is powerful, and it
is all around us.
Many people cringe when I say that there is "good" art and there is "bad"
art. But there is good and bad in every field, there has to be.
You cannot establish good, without having some scale that identifies
bad.
The appreciation of art is based on
generalized mechanics that provide for effective visual (and conceptual)
analysis, add some appreciation for
the overlooked elements, and maybe you have it. Even
with Modernist concepts- Form is still the material used to create,
and Content (or the message)-still matters. Yes, there are
exceptions, but every time the rules are broken does not mean you have
quality- or even art.
Adhering to principles that created great work some 2- 400 years ago is
discriminatory towards the advancement of a civilization. But
outright abandonment of sound principles simply for the sake of change
leaves a cognitive vacuum. A balance of history and progression has
the possibility to re-establish art as a powerful force in society.
Change is necessary for us as a people. Are we
supposed to just sit and listen to the same music over and over again?
Should we continue with the same wars, the same marketing, the same
trivial disputes, the same tractor-pulls, the same depressions, the same
poverty, the same addictions? When is the same way not the only way? How do we go forward if we are always looking back?
To quote Susan Sontag: The only real answers DESTROY the questions.
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(click on the
thumbnail to enlarge)
The mainstays of
it are painting, photography, sculpture, printing, architecture, design, drawing, and other main
artistic formats...But it also is
influenced by:
The appreciation of
architecture, wood, stone, pattern, culture,
shape, texture, and color (and it doesn't stop for snacks).
It
appreciates light and shadow,
nature, decorations, and skilled crafts-
and it enhances packaging,
popular culture, products, and other fun stuff... |
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So, where do these
appreciations transfer into
or out of art?
Here is a start toward
discovering the
"good" in art... |
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Ashley Wood, Artemisia Gentileschi, Stuart
Davis, Marcel Duchamp (R. Mutt), Gianlorenzo Bernini,
Andy Goldsworthy,
Jim Dine, Frank Lloyd Wright, Marisol, Jan Vermeer, Andy Warhol, Ansel Adams,
Gustav Klimt, Bill Sienkiewicz, Albert Paley, Caravaggio, Kent Williams,Wendell Castle, Odd Nerdrum,
Henry Moore, Thomas Cole, Dale Chihuly, Eliot Porter, Franz Marc, Maxfield Parrish, Pablo Picasso,
Jan Van Eych, Claude Monet,
Chris Burden, David Hockney, Mark Rothko,
Bernie Fuchs, Jack Kirby,
Andrew WyethAlbert Bierstadt, Dave
McKean, Jean Leon-Gerome, Jerome Witkin,
Marshall Arisman,
Phil Hale, Norman Rockwell, John Singer Sargent, Jenny
Holzer, Sir
Lawrence Alma-Tedema,
Winslow Homer, William-Adolph Bouguereau,
Louise Nevelson, Sandy Skoglund, Leonard DaVinci, Anselm Keifer,
Alex Ross, Ron English,
Jasper Johns, Edward Hopper, Robert Mapplethorpe, Claus Oldenburg
Annie
Leibowitz, Joe Coleman, Frank Gehry, Greg & Tim Hildebrandt,
Howard Pyle, Leo & Dianne Dillon
Robert Longo, Audrey Flack, NC Wyeth, Paul Rand, Joseph Turner, Saul
Bass, Judy Chicago, Art Spiegelman...
(To find out any
information on these artists, just search the internet using their name) |
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